Establishing Currency for the Voce Faringea: A Lost Conception of the Tenor Voice
Kenneth E Querns Langley’s research covers bel canto historical performance practice to demonstrate across theory and practice. He hopes to find a succinct and functional understanding of the nature of the head-voice based tenor voices of the 17th to 19th centuries. Ken maintains a companion research interest in the importance of Britain in the history of Bel Canto. His studies are supported by a Charles Branchini Award.
Faculties / departments: Research
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