Wistreich, R. and Rossi Rognoni, G.
(2024)
Expanding perspectives: materialising musical instruments.
Journal of Musicological Research
ISSN 0141-1896 (print) 1547-7304 (online)
(In Press)
Wistreich, R.
(2023)
Performing social relationships: the materialism of collective music-making.
In: University of Birmingham Centre for Reformation and Early Modern Studies, 25 October 2023, Shakespeare Institute, Stratford-upon-Avon.
(Unpublished)
Wistreich, R.
(2023)
Colonialism, late capitalism, and the invention of Early Music.
In: ‘The Revival of Heritage’: in memoriam Richard Taruskin (1945–2022), 28–29 August 2023, STIMU Symposium, Utrecht Festival Oude Muziek.
(Unpublished)
Wistreich, R.
(2023)
Book review: 'Seachanges: Music in the Mediterranean and Atlantic Worlds, 1550–1800', ed. Kate van Orden.
Journal of the American Musicological Society, 76 (2)
pp. 513-518.
ISSN 0003-0139 (print) 1547-3848 (online)
Wistreich, R.
(2023)
The elite singing voice.
In:
The Museum of Renaissance Music: A History in 100 Exhibits.
Brepols, Turnhout, pp. 423-425.
ISBN 978-2-503-58856-8 (paperback) 978-2-503-58857-5 (e-book)
Wistreich, R.
(2022)
Music, history, materiality: where we are coming from.
In: Materialising Musical Instruments, 8-9 December 2022, Royal College of Music.
(Unpublished)
Wistreich, R.
(2022)
The materiality of Early Modern ensemble music making.
In: Royal Musical Association Annual Conference, 7-10 September 2022, Durham.
(Unpublished)
Wistreich, R.
(2021)
Colonialism, capitalism, and the invention of Early Music.
In: Forum für Aufführungspraxis, 1 December 2021, Staatliche Hochschule für Musik, Trossingen, Germany.
(Unpublished)
Wistreich, R.
(2021)
‘Il vero modo di cantar’: the international transmission of the sound of Italian singing in early modern Europe.
In: Early Modern Soundscapes, 7 July 2021, Online (Liverpool John Moores University).
(Unpublished)
Wistreich, R.
(2019)
Singing Handel, then and now.
Handel News, 76
pp. 5-8.
ISSN 2517-7656
Richards, J. and Wistreich, R.
(2019)
Introduction: voicing text 1500-1700.
Huntington Library Quarterly (special issue), 82 (1)
pp. 3-16.
ISSN 1544-399X (online) 0018-7895 (print)
Fenlon, I. and Wistreich, R.
(2019)
Introduction.
In:
The Cambridge History of Sixteenth-Century Music.
The Cambridge History of Music
.
Cambridge University Press, Cambridge, pp. 1-23.
ISBN 9780511675874
Wistreich, R.
(2019)
Music and war.
In:
The Cambridge History of Sixteenth-Century Music.
The Cambridge History of Music
.
Cambridge University Press, Cambridge, pp. 176-205.
ISBN 9780511675874
Wistreich, R.
(2019)
The lives of musicians.
In:
The Cambridge History of Sixteenth-Century Music.
The Cambridge History of Music
.
Cambridge University Press, Cambridge, pp. 288-334.
ISBN 9780511675874
Wistreich, R.
(2018)
Historically informed singing: fantasy, reality - or an irrelevance?
In: National Early Music Forum, 21 October 2018, Brighton.
(Unpublished)
Wistreich, R.
(2018)
Agricola, Johann Friedrich; Bernhard, Christoph; Brunelli, Antonio; Caccini, Giulio; Conforti, Giovanni Luca; Corri, Domenico; Hiller, Johann Adam; Maffei, Giovanni Camillo; Mancini, Giovanni Battista; Monteverdi, Claudio; Zacconi, Lodovico; Zenobi, Luigi.
In:
The Cambridge Encyclopedia of Historical Performance in Music.
Cambridge University Press, Cambridge.
ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Wistreich, R.
(2018)
Performance practice scholarship.
In:
The Cambridge Encyclopedia of Historical Performance in Music.
Cambridge University Press, Cambridge, pp. 476-482.
ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Wistreich, R.
(2018)
Singing.
In:
The Cambridge Encyclopedia of Historical Performance in Music.
Cambridge University Press, Cambridge, pp. 576-580.
ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Wistreich, R.
(2018)
Vocal performance.
In:
The Cambridge Encyclopedia of Historical Performance in Music.
Cambridge University Press, Cambridge, pp. 676-681.
ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)
Wistreich, R.
(2017)
‘Inclosed in this tabernacle of flesh’: body, soul, and the singing voice.
Journal of the Northern Renaissance, 8
ISSN 1759-3085
Tregear, P. and Johansen, G. and Jorgensen, H. and Sloboda, J. and Tulve, H. and Wistreich, R.
(2016)
Conservatoires in society: institutional challenges and possibilities for change.
Arts & Humanities in Higher Education, 15 (3-4)
pp. 276-292.
ISSN 14740222
Wistreich, R. and Richards, J.
(2016)
The anatomy of the Renaissance voice.
In:
The Edinburgh Companion to the Critical Medical Humanities.
Edinburgh University Press, Edinburgh, pp. 276-293.
ISBN 9781474400046 (hardback) 9781474414555 (e-book)
Wistreich, R.
(2016)
Reconstructing historical singing: reality or fantasy?
In: Diversity in Historically Informed Performance, 17 May 2016, King's Place, London.
(Unpublished)
Wistreich, R.
(2015)
High, middle, and low: singing Monteverdi.
In:
Passaggio in Italia: Music on the Grand Tour in the Seventeenth Century.
Brepols, Turnhout, pp. 65-83.
ISBN 978-2-503-53568-5
Wistreich, R. and Potter, J.
(2013)
Singing early music: a conversation.
Early Music, 41 (1)
pp. 22-26.
ISSN 0306-1078 (print) 1741-7260 (online)
Wistreich, R.
(2013)
Ars militaria.
In:
Die Musik in der Kultur der Renaissance: Kontexte, Disziplinen, Diskurse.
Handbuch der Musik der Renaissance
(5).
Laaber, Lilienthal, Germany.
ISBN 9783890077055
Wistreich, R.
(2013)
'Nach der jetzig Newen Italienischen Manier zur guten Art im singen sich gewehnen': the trillo and the migration of Italian noble singing.
Analecta Musicologica, 49
pp. 138-150.
ISSN 0569-9827
Wistreich, R.
(2012)
Vocal performance in the seventeenth century.
In:
The Cambridge History of Musical Performance.
The Cambridge History of Music
.
Cambridge University Press, Cambridge, pp. 398-420.
ISBN 9781139025966
Wistreich, R.
(2012)
Musical materials and cultural spaces.
Renaissance Studies, 26 (1)
pp. 1-12.
ISSN 0269-1213 (print) 1477-4658 (online)
Wistreich, R.
(2012)
'Il soprano e veramente l’ornamento di tutte l’altre parti': soprani, castrati, falsettisti and the performance of late Renaissance Italian secular music.
In:
Der Countertenor: Die männliche Falsettstimme vom Mittelalter zur Gegenwart.
Schott Campus
.
Schott Music, Mainz, pp. 71-85.
ISBN 9783795707934
Wistreich, R.
(2011)
Music books and sociability.
Il Saggiatore Musicale: Rivista Semestrale di Musicologia, 18
pp. 230-246.
ISSN 1123-8615 (print) 2035-6706 (online)
Wistreich, R.
(2011)
‘Thou & Ile sing to make these dull Shades merry’: Herrick’s Charon Dialogues.
In:
‘Lords of Wine and Oile’: Community and Conviviality in the Poetry of Robert Herrick.
Oxford University Press, Oxford.
ISBN 9780199604777
Wistreich, R.
(2011)
Who sings the cantus? Children as performers of secular music in the early modern period.
TroJa. Jahrbuch für Renaissancemusik, 10
pp. 157-176.
ISSN 2513-1028
Wistreich, R.
(2010)
Using the music: musical materials and expert singers’ practices in Monteverdi’s time.
Basler Jahrbuch für Historische Musikpraxis, 34
pp. 61-72.
Wistreich, R.
(2009)
Of mars I sing: Monteverdi voicing virility.
In:
Masculinity and Western Musical Practice.
Ashgate, Farnham, pp. 67-94.
ISBN 9780754662396
Wistreich, R.
(2007)
Monteverdi in performance.
In:
The Cambridge Companion to Monteverdi.
Cambridge Companions to Music
.
Cambridge University Press, Cambridge, pp. 261-279.
ISBN 9780521875257 (hardback) 9780521697989 (paperback) 9781139798631 (e-book)
Wistreich, R.
(2007)
Warrior, courtier, singer: Giulio Cesare Brancaccio and the performance of identity in the late Renaissance.
Routledge, Abingdon.
ISBN 9780754654148 (hardback) 9781138263000 (paperback) 9781315547657 (e-book)
Wistreich, R.
(2006)
Philippe De Monte: new autobiographical documents.
Early Music History, 25
pp. 257-308.
ISSN 0261-1279 (print) 1474-0559 (online)
Wistreich, R.
(2002)
Practising and teaching historically informed singing - who cares?
Basler Jahrbuch für Historische Musikpraxis, 26
pp. 17-29.
Wistreich, R.
(2002)
Real basses, real men: virtù and virtuosity in the construction of noble male identity in late sixteenth-century Italy.
TroJa. Jahrbuch für Renaissancemusik, 2
pp. 59-77.
ISSN 2513-1028
Wistreich, R.
(2000)
Reconstructing pre-Romantic singing technique.
In:
The Cambridge Companion to Singing.
Cambridge Companions to Music
.
Cambridge University Press, Cambridge, pp. 178-191.
ISBN 9780521627092 (print) 9781139002073 (online)
Wistreich, R.
(1994)
"La voce è grata assai, ma…”: Monteverdi on singing.
Early Music, 22 (1)
pp. 7-20.
ISSN 0306-1078 (print) 1741-7260 (online)