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Dr Wiebke Thormahlen

Wiebke Thormählen joined the Royal College of Music in September 2013 as Area Leader in History.

Her research, previously funded by the Arts and Humanities Research Council, the Wellcome Trust, and The Austrian Academic Exchange Service, explores the formulation of music as a language of emotions and its particular role in educational theories and policies since the eighteenth century. Having worked on aesthetic and educational ideals in Viennese salons of the late 18th century during her PhD, she now focusses on Britain in the late Georgian period, exploring music in domestic settings with a particular focus on arrangements of large-scale works, and domestic devotional music. Her interest in music as a social activity extends outwards from the domestic to the development and meaning of amateur choral societies in England.

She has contributed articles and reviews to the Journal of Musicology, Eighteenth-Century Music, Early Music, Notes, Acta Mozartiana and Neues Musikwissenschaftliches Jahrbuch and is currently working on a book exploring the meaning of different forms of “musical engagements” in early 19th-century London.

Wiebke is a Co-Investigator on Music, Home and Heritage, Sounding the Domestic in Georgian Britain, a three year AHRC -funded research project with the University of Southampton.

Selected publications

Thormählen W (forthcoming), Two chapters in A Cultural History of the Emotions: 'Perceptions of music, dance and emotions in nineteenth-century Europe', in Vol. 5 (ed. S Matt), pp. 55-74; and 'The disenchantment of music in the twentieth century', in Vol. 6 (ed. J Damousi & J Davidson), pp. 77-122. Bloomsbury [ISBN 9781472515063].

Thormählen W (forthcoming), ‘Circulation (incl. Arrangements)’ and ‘London & England’, in C Clark & S Day-O’Connell (eds.), The Cambridge Haydn Encyclopedia, Cambridge University Press [ISBN 9781316422847]. On RCM Research Online: 'Circulation,' 'London & England.'

Gouk P, Kennaway J, Prins J & Thormählen W (eds.) (2018), The Routledge Companion to Music, Mind, and Wellbeing, Routledge [ISBN 9781138057760]. Includes chapter by W Thormählen: ‘Framing emotional responses to music: music-making and social well-being in early nineteenth-century England’, pp. 93-106.

Thormählen W (2015), The muse as hero(ine): gender and creative process in Hildegard von Hohenthal, in T Irvine, W Thormählen & O Wiener (eds.), Musikalisches Denken im Labyrinth der Aufklärung: Wilhelm Heinse’s Hildegard von Hohtenthal (pp. 187-206), Are Musikverlag [ISBN 9783924522506].

Thormählen W (2015), Vom Hören und Singen: Musik als Medium der Sensibilisierung, in B Neumann & B Barbara Schmidt-Haberkamp (eds.), Themenheft: Emotionen, Wissen und Aufklärung: Gefühlskulturen im Großbritannien des 18. Jahrhunderts, Das Achtzehnte Jahrhundert, Deutsche Gesellschaft für die Erforschung des Achtzehnten Jahrhunderts, Jhg. 39 Heft 2 (pp. 221-232), Wallstein Verlag [ISBN 978-3-8353-1697-3].

Thormählen W (2014), Lamenting at the piano: domestic music-making and well-being in eighteenth-century Britain, in W Sandberger (ed.), Göttinger Händelbeiträge: The Power of Musick: Music and Politics in Georgian Britain (pp. 144-160), Vandenhoeck & Ruprecht [ISBN 9783647278322].

Thormählen W (2014), Physical distortion, emotion and subjectivity: musical virtuosity and body anxiety, in J Kennaway (ed.), Music and the Nerves, 1700 – 1900 (pp. 191-215), Palgrave Macmillan [ISBN 978-1-137-33950-8]. On RCM Research Online.

Thormählen W (2010), Playing with art: musical arrangements as educational tools in van Swieten's Vienna, Journal of Musicology, 27 (3), 342-76 [DOI]. On RCM Research Online.

Find out more about Music, Home and Heritage Visit website

Faculties / departments: Programmes, Research

Latest Publications

Thormählen, W. (2020) Feel-good tunes: music aesthetics, performance and well-being in the eighteenth century. In: Lifestyle and medicine in the Enlightenment: the six non-naturals in the long eighteenth century. Routledge studies in the history of science, technology and medicine . Routledge, Abingdon. ISBN 9781138610705 (hardback) 9780429465642 (e-book)

Thormählen, W. (2019) From dissent to community: the Sacred Harmonic Society and amateur choral singing in London. In: London voices, 1820–1840: vocal performers, practices, histories. University of Chicago Press, Chicago. ISBN 9780226670188 (hardback) 9780226670218 (e-book)

Thormählen, W. (2019) Circulation. In: The Cambridge Haydn Encyclopedia. Cambridge University Press, Cambridge. ISBN 9781316422847

Thormählen, W. (2019) London and England. In: The Cambridge Haydn Encyclopedia. Cambridge University Press, Cambridge. ISBN 9781316422847

Thormählen, W. (2019) Music and dance. In: A Cultural History of the Emotions in the Age of Romanticism, Revolution and Empire (1780-1920). A Cultural History of the Emotions, 5 . Bloomsbury, London. ISBN 9781472515063

Thormählen, W. (2019) Music and dance. In: A Cultural History of the Emotions in the Modern and Post-Modern Age (1920-2000+). A Cultural History of the Emotions, 6 . Bloomsbury, London. ISBN 9781472515063

Gouk, P. and Kennaway, J. and Prins, J. and Thormählen, W. (2018) Introduction: historical and contemporary perspectives on music, mind and well-being. In: The Routledge Companion to music, mind, and well-being. Routledge Music Companions . Routledge, Abingdon. ISBN 9781138057760 (hardback) 9781315164717 (e-book)

Thormählen, W. (2018) Framing emotional responses to music: music-making and social well-being in early nineteenth-century England. In: The Routledge companion to music, mind, and well-being. Routledge music companions . Routledge, Abingdon, pp. 93-105. ISBN 9781138057760 (hardback) 9781315164717 (e-book)

Thormählen, W. (2018) Callcott, John Wall (encyclopaedia article in Die Musik in Geschichte und Gegenwart). Bärenreiter, J. B. Metzler, Répertoire International de Littérature Musicale.

Thormählen, W. (2015) The muse as hero(ine): gender and creative process in Hildegard von Hohenthal. In: Musikalisches Denken im Labyrinth der Aufklarung: Wilhelm Heinses Hildegard von Hohenthal (Thinking Musically in the Labyrinth of Enlightenment: Wilhelm Heinse's Hildegard von Hohenthal). Southampton-Würzburg Studies in Eighteenth Century Musical Culture . Are Musik Verlag, Mainz, pp. 187-206. ISBN 978-3-924522-50-6

Thormählen, W. (2015) Review of Joseph Riepel, Violin Concertos, ed. Stefan Eckert (Madison: A-R Editions, 2013). Eighteenth-Century Music, 12 (1). pp. 106-108. ISSN 1478-5706 (print) 1478-5714 (online)

Thormählen, W. (2015) Vom Hören und Singen: Musik als Medium der Sensibilisierung. In: Emotionen, Wissen und Aufklärung: Gefühlskulturen im Großbritannien des 18. Jahrhunderts. Deutsche Gesellschaft für die Erforschung des Achtzehnten Jahrhunderts (39 (2)). Wallstein Verlag, Göttingen, pp. 221-232. ISBN 978-3-8353-1697-3

Thormählen, W. (2014) Lamenting at the piano: domestic music-making and well-being in eighteenth-century Britain. In: Göttinger Händelbeiträge: the power of musick: music and politics in Georgian Britain. Vandenhoeck & Ruprecht, Göttingen, Germany, pp. 144-160. ISBN 978-3-525-27832-1

Thormählen, W. (2014) Physical distortion, emotion and subjectivity: musical virtuosity and body anxiety. In: Music and the Nerves, 1700 – 1900. Palgrave Macmillan, Houndmills, Basingstoke, UK, pp. 191-217. ISBN 978-1-137-33950-8

Thormählen, W. (2011) Recording review article: ‘Kleinmeister’ music—a conflict of interests? Early Music, 39 (4). pp. 655-658. ISSN 0306-1078 (print) 1741-7260 (online)

Thormählen, W. (2010) Playing with art: musical arrangements as educational tools in van Swieten's Vienna. Journal of Musicology, 27 (3). pp. 342-376. ISSN 0277-9269 (print) 1533-8347 (online)

Thormählen, W. (2008) Edition review: Franz Clement: Violin Concerto in D major (1805) ed. Clive Brown. Eighteenth-Century Music, 5 (2). pp. 255-257. ISSN 1478-5706 (print) 1478-5714 (online)

Thormählen, W. (2008) Book review: 'Mozart's Viennese instrumental music: a study of stylistic re-invention' by Simon P. Keefe. Notes: Quarterly Journal of the Music Library Association, 64 (4). pp. 729-731. ISSN 0027-4380 (print) 1534-150X (online)

Thormählen, W. (2008) Edition review: C. P. E. Bach: the complete works series V, vol. 5.1, works for special occasions I ed. Ulrich Leisinger. Eighteenth-Century Music, 5 (1). pp. 123-125. ISSN 1478-5706 (print) 1478-5714 (online)

Thormählen, W. (2006) Kritik zum Vergnügen: Mozarts Spiel mit kompositorischen Konventionen in seiner Klavier sonata mit begleitung einer Violin KV 526 [Criticism for fun: Mozart's play with compositional conventions in his Piano sonata accompanied by a violin, K.526]. In: Neues musikwissenschaftliches Jahrbuch. Wißner-Verlag, Augsburg, pp. 147-167. ISBN 978-3896395511

Thormählen, W. (2004) Edition review: Pierre Gaviniès, Sonatas for violin and basso continuo, op. 3, ed. Anthony F. Ginter. Eighteenth-Century Music, 1 (1). pp. 105-107. ISSN 1478-5706 (print) 1478-5714 (online)

Thormählen, W. (2003) Georg Muffat—a document for the French manner? Early Music, 31 (1). pp. 110-116. ISSN 0306-1078 (print) 1741-7260 (online)

Thormählen, W. (2003) Konvention als Kritik? Mozarts 'klavier sonate mit begleitung einer Violin' KV 526 [Convention as criticism? Mozart’s piano sonata with violin accompaniment K.526]. Acta Mozartiana, 50 (1-2). pp. 23-36. ISSN 0001-6233

Contact

For enquires please contact:

Dr Wiebke Thormahlen

Area Leader in History

research@rcm.ac.uk

wiebke.thormahlen@rcm.ac.uk