‘We encourage students to engage with our resources and collaborate with our outstanding professors across both theory and practice, so that they can make a meaningful contribution to the profession.'
The Royal College of Music’s Historical Performance Faculty provides intensive training in all aspects of historically informed interpretation from more than 500 years of music history. Students on both historical and modern instruments have the chance to combine unparalleled access to knowledge with a wide range of performance opportunities.
There are outstanding research and study opportunities to support your training, including an extensive collection of manuscripts and early printed editions housed in the RCM Library. Our collections also contain a wide array of historical instruments, many of which are available to borrow. We have one of the largest collections of early keyboards in any higher education institution.
Historical Performance at the RCM
Head of Historical Performance, Professor Ashley Solomon, joins recorder and historical oboe player Katie Cowling to talk about the opportunities RCM students enjoy.
One-to-one lessons are at the very heart of every RCM student’s learning experience. Individual lessons are offered on the complete range of period instruments by a faculty of exceptional professors, many of whom are principal players in period instrument orchestras, active as soloists and members of well-known ensembles.
Our full schedule of performances includes frequent chamber projects and concerts, baroque and classical orchestral projects for both modern and historical instruments and regular masterclasses given by world-renowned musicians. RCM students have performed at the London Handel Festival and London Festival of Baroque Music, as well as at heritage venues including Hatchlands Park, the Victoria and Albert Museum and Windsor Castle. Further afield, our students have performed in the Thomaskirche Leipzig and the Orangery Palace in the Sanssouci Park of Potsdam. There have been video conference masterclasses sessions with the Eastman School New York, Sydney Conservatorium of Music, Danish Academy of Music and Hong Kong Academy for Performing Arts.
The RCM Baroque Orchestra plays every term as part of the RCM’s extensive programme of events, with additional performances at festivals in London and around the UK. There is also the opportunity for singers to collaborate in performances of Bach Cantatas each year with the orchestra.
There is plenty of scope for chamber music performance, both student-led and through high-profile opportunities internally and externally. Students are encouraged to form their own chamber groups and expand their repertoire. All RCM chamber groups can benefit from unlimited coaching. Historical Performance students can access 18th-century chamber music coaching from Florilegium, our Ensemble in Association.
The RCM also hosts an International Festival of Viols every year, which has run for over a decade, featuring concerts, lectures and masterclasses from leading performers.
'From performance classes and rush-hour concerts to engagements that put you right into the professional world, the RCM enables you to follow the opportunities that best suit your ambitions.'
Performing at the Palace of Versailles
Performing new music at the Royal Academy of Arts
On the road in Bolivia
Dido and Aeneas at the Bath Festival
Purcell's Dioclesian featuring the RCM Baroque Orchestra and dancers from the Mercurius Company
Performing at the Opéra Bastille as part of a collaboration with the Académie de l’Opéra de Paris and Centre de musique baroque de Versailles
Beyond the RCM
While the Historical Performance Faculty takes a very active role in the life of the RCM, additional opportunities exist further afield. Our students have frequently appeared at UK festivals and heritage venues including the Bath International Festival, London Handel Festival, London Festival of Baroque Music, Hatchands Park, The V&A and the Queen's Gallery at Buckingham Palace.
As well as invitations to perform at prestigious UK venues, the Historical Performance Faculty regularly tours overseas. Previous destinations have included Bolivia, Washington DC, New York, Rome, Venice, Frascati and Bologna.
Our students have performed with the Salzburg Mozarteum in the Leipzig Thomaskirche on Good Friday and taken part in video conference sessions with the Eastman School New York, Sydney Conservatorium, Danish Academy of Music and Hong Kong Academy.
In 2017, musicians from the Historical Performance faculty took part in a collaboration with the Académie de l’Opéra de Paris and Centre de musique baroque de Versailles to stage Rameau's Les fêtes d’Hébé with performances in both Paris and London.
Historical Performance musicians on tour in Italy
Follow violist Matyas Csiba as he goes on tour to Italy with members of the RCM Historical Performance Faculty.
Practical classes & lectures
Historical Performance students take part in project-based learning, culminating in assessed public performances and presentation classes. These include:
- Stylus phantasticus – 17th-century Austrian and Italian repertoire with Terence Charlston.
- Early 18th-century French repertoire with Ashley Solomon.
- Baroque dance workshops with Mary Collins.
- Cello continuo classes with Richard Tunnicliffe.
- Lute song with Jakob Lindberg.
- Classical and romantic repertoire with Geoffrey Govier.
- Ornamentation and cadenza classes with Rachel Brown.
Non-assessed regular classes
In addition, we provide regular classes outside of the assessment framework which are designed to widen understanding and provide further opportunities to develop professional skills. These include:
- Coaching of 18th-century repertoire on modern and historical instruments from Florilegium, the RCM’s Ensemble in Association.
- Tuning and temperament (16th–18th centuries).
- Chamber music and continuo techniques.
- Historical and classical taster sessions for modern woodwind players.
- Regular viol consort sessions with Dr Sam Stadlen, offering an opportunity for all non specialist viol students to engage with this rich repertoire on an extensive collection of instruments that the RCM owns.
Historical keyboard studies
Keyboard students in the Historical Performance Faculty perform on historical instruments, benefitting from studying their playing styles first-hand. This takes place both within the RCM and in collaboration with other institutions. We have the largest collection of historical keyboard instruments at any UK conservatoire, including the earliest playable example.
The collections of keyboard instruments and primary source materials make for an unparalleled learning environment, supplemented by concerts, workshops, conferences and other events tailored for keyboard students.
Recent visiting artists
The faculty holds regular masterclasses with distinguished visiting international musicians, who have included:
- Christophe Coin
- Enrico Gatti
- Walter van Hauwe
- Wilbert Hazlet
- Monica Huggett
- Ton Koopman
- Paulo Pandolfo
- Rachel Podger
- Jean Rondeau
We have also welcomed David Watkin for a virtual Baroque cello masterclass.
Historical Performance alumni currently hold positions with:
- Academy of Ancient Music
- English Baroque Soloists
- English Concert
- Orchestra of the Age of Enlightenment
- Orchestre Révolutionnaire et Romantique
The RCM’s Creative Careers Centre, which is recognised internationally for its innovative approach to supporting young musicians, provides an unparalleled service to current students and recent alumni. The dedicated team partners with leading consultants, reputable arts organisations and local communities, delivering unique career-building opportunities and a direct route to the music industry.
The work of the Creative Careers Centre allows students to discover their professional identity, gain hands-on experience and new skills, develop an entrepreneurial mind-set and build a fulfilling professional portfolio.
Extensive performance and teaching opportunities are available, as well as valuable guidance on CV and biography writing, concert programming, communication skills, project management, marketing and publicity, online promotion, financial matters and how to develop a business idea.
We continually invest in our facilities to ensure RCM students have the very best opportunities. Our impressive performance spaces are matched by top-quality academic and technical provisions, such as our historic library and professional grade studios. The Royal College of Music is proud to offer some of the finest facilities anywhere in the world.
The RCM has three major performance spaces. The Amaryllis Fleming Concert Hall which has an illustrious history and is the primary performance venue for RCM orchestras and large ensembles. Our 400-seat Britten Theatre boasts excellent technical facilities for the RCM’s thriving International Opera School. The Performance Hall offers an alternative space for ensemble performances and orchestral rehearsals, and boasts a retractable stage, comprehensive technical infrastructure and variable acoustics, providing versatility for the range of events staged by the College.
In addition, more intimate spaces for solo and chamber performance include the Performance Studio and The Parry Rooms, which have unparalleled views of the Royal Albert Hall, and our 100-seat Recital Hall.
As well as practice rooms and space for one-to-one and group teaching, the RCM contains dedicated opera rehearsal spaces, a number of sound-proofed Amadeus Music Pods and organ rooms. We have over 160 pianos, including 60 grand pianos and 20 early keyboards, instrument storage with special facilities for harps and double basses, plus in-house instrument workshops.
RCM Studios is a commercial-grade facility, equipped with professional audio, video and composition technologies, supporting the RCM’s recording needs and enabling live broadcast of performances around the world.
The RCM Library contains more than 400,000 scores, books and recordings in its lending collection, plus access to more than 400 music journals. The library also subscribes to many online resources including Oxford Music Online, Naxos Music Library, JSTOR, Met Online and the Berlin Philharmonic Digital Concert Hall. In addition, the RCM also boasts an internationally renowned collection of original manuscripts (including examples from Mozart and Elgar) early printed editions and archives.
The RCM Museum holds more than 15,000 instruments dating from the late 15th century to the present day, some of which are the earliest known examples of their kind. The collection is a unique resource and many of the instruments in the collection can be studied or played by RCM students.
The public museum is currently closed for refurbishment, but its vital resources are still available to our students.
Latest from the Historical Performance Faculty
The RCM's new short film series begins today with In Focus: The Kennedy-Mietke Harpsichord.
The Royal College of Music has launched its autumn events season for 2020, including the first performances in its brand-new Performance Hall.
Sir Antonio Pappano, John Wilson and Holly Mathieson feature alongside RCM students in this month's online concert series, taking classic performances from our archives.
The Royal College of Music achieves strong performance in this year's National Student Survey (NSS).
Rafael Payare, Juraj Valčuha, Roderick Williams and the Harlem Quartet feature alongside RCM students in this month's online concert series, taking classic performances from our archives. We are also pleased to announce an online showcase of some of our doctoral research.
Please note that the audition and application process for Fellowships is not the same as it is for our courses. Please refer to the individual Fellowship pages for more details.
Contact the Historical Performance Faculty
If you have any general queries about Historical Performance at the RCM please contact our Historical Performance Faculty Administration team. If you have any queries about auditions or the admissions process, please contact our Admissions team.
Historical Performance Administration
General enquiries about the operation of the faculty and consultation lessons
Admissions and general audition enquiries