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Three men and one woman wearing suits holding a guitar in a museum

Kurt Cobain’s world-famous guitar donated to the Royal College of Music

Thursday 11 December 2025

The most expensive guitar ever sold at auction, Kurt Cobain’s 1959 Martin D-18E, played during Nirvana’s historic MTV Unplugged performance, has been donated to the Royal College of Music (RCM). 

The guitar has been donated by Peter Freedman AM, owner and founder of the Australian audio company RØDE Microphones and the Freedman Group, in memory of his father, Henry Freedman (1926-1987). Peter Freedman purchased the instrument for over $6 million dollars in 2020, setting the world record for the highest price ever paid for a guitar. He is also the founding supporter of the RCM’s Australia Commonwealth Scholarship Fund. 

This remarkable donation brings one of the most significant artefacts in rock music history into the Royal College of Music. Plans are now in development for the Cobain guitar to appear in an international touring exhibition from 2026, following the success of the RCM Museum’s recent landmark show, Kurt Cobain: Unplugged, which attracted more than 15,000 visitors from across the UK, Europe and North America. 

The RCM Museum includes the oldest surviving guitar in existence in its collection – a 1581 instrument made in Lisbon by Belchior Dias. 

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Peter Freedman AM comments: ‘I am delighted to gift this iconic guitar to the Royal College of Music so that they might realise the guitar’s value and profile for the benefit of young musicians at the RCM and reach people around the world. This gift is dedicated to my father Henry who loved music and London, and it’s an honour for me to support the next generation of musicians.’ 

James Williams, Director of the Royal College of Music, comments: ‘The Royal College of Music is deeply grateful to Peter Freedman for his incredible generosity in gifting the College Kurt Cobain’s Martin D-18E guitar. This asset opens future opportunities to share the Kurt Cobain Unplugged exhibition with an international audience; it is also emblematic of Peter’s unstinting support for the performing arts and his steadfast belief in the power of education to transform lives.’